Frightening Writers Share the Scariest Stories They've Ever Encountered
A Renowned Horror Author
A Chilling Tale from Shirley Jackson
I discovered this tale some time back and it has haunted me from that moment. The titular “summer people” turn out to be a family urban dwellers, who rent a particular remote rural cabin each year. This time, instead of heading back home, they opt to lengthen their stay an extra month – an action that appears to disturb all the locals in the adjacent village. All pass on the same veiled caution that nobody has remained by the water beyond the end of summer. Even so, the Allisons insist to stay, and at that point events begin to become stranger. The man who supplies fuel won’t sell to them. Nobody agrees to bring supplies to their home, and when the Allisons attempt to go to the village, their vehicle refuses to operate. A storm gathers, the energy in the radio fade, and with the arrival of dusk, “the two old people crowded closely in their summer cottage and anticipated”. What could be this couple anticipating? What might the locals know? Every time I revisit the writer’s chilling and influential story, I’m reminded that the top terror originates in the unspoken.
Mariana Enríquez
An Eerie Story by Robert Aickman
In this brief tale a pair travel to a common coastal village in which chimes sound the whole time, an incessant ringing that is bothersome and unexplainable. The initial very scary episode occurs after dark, as they opt to walk around and they fail to see the water. There’s sand, the scent exists of rotting fish and salt, surf is audible, but the sea seems phantom, or something else and even more alarming. It is simply insanely sinister and each occasion I visit to the shore after dark I remember this narrative which spoiled the beach in the evening for me – in a good way.
The newlyweds – the woman is adolescent, the husband is older – go back to the hotel and discover the reason for the chiming, during a prolonged scene of claustrophobia, necro-orgy and mortality and youth meets danse macabre bedlam. It’s an unnerving contemplation about longing and decay, two bodies aging together as spouses, the bond and aggression and affection within wedlock.
Not merely the scariest, but probably a top example of brief tales out there, and an individual preference. I read it en español, in the initial publication of Aickman stories to appear in Argentina a decade ago.
A Prominent Novelist
A Dark Novel from an esteemed writer
I read this book by a pool overseas recently. Although it was sunny I sensed an icy feeling through me. Additionally, I sensed the electricity of excitement. I was composing my latest book, and I faced a block. I didn’t know if it was possible an effective approach to craft certain terrifying elements the book contains. Going through this book, I saw that there was a way.
First printed in the nineties, the novel is a grim journey into the thoughts of a young serial killer, the main character, modeled after an infamous individual, the criminal who slaughtered and dismembered 17 young men and boys in the Midwest between 1978 and 1991. Infamously, this person was fixated with creating a submissive individual who would never leave with him and carried out several macabre trials to achieve this.
The acts the book depicts are terrible, but just as scary is its psychological persuasiveness. The character’s terrible, shattered existence is directly described with concise language, details omitted. The reader is plunged trapped in his consciousness, forced to observe mental processes and behaviors that appal. The foreignness of his psyche resembles a bodily jolt – or getting lost in an empty realm. Starting this story is not just reading and more like a physical journey. You are absorbed completely.
An Accomplished Author
A Haunting Novel by a gifted writer
During my youth, I sleepwalked and later started experiencing nightmares. On one occasion, the horror involved a dream in which I was stuck in a box and, when I woke up, I realized that I had torn off a piece off the window, trying to get out. That house was crumbling; when storms came the ground floor corridor flooded, fly larvae dropped from above into the bedroom, and at one time a big rodent ascended the window coverings in my sister’s room.
After an acquaintance handed me Helen Oyeyemi’s novel, I had moved out in my childhood residence, but the narrative of the house high on the Dover cliffs appeared known in my view, longing at that time. It is a book about a haunted loud, atmospheric home and a girl who eats calcium off the rocks. I cherished the novel deeply and returned again and again to the story, each time discovering {something